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OLOIZIA: The first Frames record that I bought was , and you could hear the songs really being stretched out.Is cutting a studio record something you enjoy, or would you skip the process altogether if you could?I remember hearing that when they first announced that they wanted to do the show that you were really hesitant about it. HANSARD: What made me come around was when I heard Enda Walsh had gotten involved. He took this on board, and then I heard John Tiffany was on board, and I remember thinking, "Shit, then I want to meet these people, 'cause this sounds kind of crazy.It sounds like the wrong people, and yet, it could be perfect." And so I met with them, and I remember to saying to Enda, "Man, honestly, I don't know what the fuck you're gonna do with this.
HANSARD: That can give you great confidence, or it can kind of skew and pervert your perspective, and that's the only thing I'd worry about.
Because youth is full of self-belief and full of desire, but success is stormy weather.
No matter what way you look at it, success fucks with your foundations.
HANSARD: I absolutely adore the alchemy of a bit of an idea.
What really happened on this record was, I just surrounded myself by people who are better than I am.So when success came to us when we won the Oscar, I was 37, and man, was I ready it for it.