Xxx oil ross


05-Jun-2014 19:21

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He had studied at the elite Parisian Lycee Henri IV (1887-1891) under the philosopher Henri Bergson; an influential force of inspiration amongst the Cubists. Associates included Jean Metzinger, Frank Kupka, Tobeen, Henri Le Fauconnier, Jean Marchand, and the sculptors Joseph Csaky and Alexander Archipenko On the Société Normande held a second exhibition 41 rue du Gros-Horloge, in the center of Rouen.

The preface of the catalog was written by Élie Faure.

In his forward for this exhibition⎯his first writing on Cubism⎯Raynal paints the artistic avant-garde as parallel to scientists whose 'very data will turn the common understanding and ordinary sensibilities upside down'.

Science and visual arts evolved together leading to 'a more positivistic age'.

From 20 November to 16 December 1911 the Société Normande organized their first exhibition in Paris which took place at the Galerie d'Art Ancien et d'Art Contemporain, 3 Rue Tronchet.

The preface of the catalog was written by René Blum (1878-1942), the coeditor, journalist and art critic who between 19 wrote in Gil Blas.

Musée d'Art Moderne de la Ville de Paris In addition to the works of Gleizes, Metzinger, Léger, Picabia, Le Fauconnier, Roger Le Fresnaye, André Lhote, the Duchamps, Dumont, Tobeen and Archipenko, works were exhibited by Raoul Dufy, Marie Laurencin, Othon Friesz, André Mare, Eugène Zak, Luc-Albert Moreau, Paul Vera, André Dunoyer de Segonzac and Robert Antoine Pinchon.

During the course of 1911 this group assisted Albert Gleizes in the preparation of the Salon de la Section d'Or exhibition that would be held in October 1912 at the Galerie La Boétie, Paris.

On Mondays there were regular meetings with Gleizes in his studio in the Paris suburb of Courbevoie.

The first of five exhibitions organized by the Société Normande de Peinture Moderne took place at the Salle Boieldieu in Rouen, 65 rue Ganterie, 20 December 1909 – 20 January 1910.

The preface to the exhibition was written by Élie Faure (1873-1937).

The birth of Le Cercle de l'Art Moderne had inspired the foundation of another group in Le Havre named Société havraise des Beaux-arts, presided over by Jean-Paul Laurens, member of the Institut and Commendeur de la Légion d'Honneur.



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